印象性
IMPRESSION
印象：建筑成为一种连接
在几十年快速建设后，大众不再满足于那些为了生存需求而建造的建筑，人们开始提出在社会、文化、心理等方面更多样的需求。建筑因此成为一种连接，它把人自身，个体想象和事实环境连接起来，进而转化成一个可读、可进入、可使用、可传播的真实客体。映射印象，滋生想象。
进入印象：基本理性之上的体验
回到建筑设计本身，基本理性依然是我们设计动作的基础。传统的场地、空间、材料的处理方法是一切建造行为的起点。而印象性则更像是一种在基础之上的思考方式，他让我们关注于真实运营和使用体验，并提取其中能给人以共鸣的感性部分，让建筑在另一个层面进行变化和迭代。
情境：场所印象
场所印象是处理建筑与环境的思考，它容易让人联想到诺伯尔.舒尔茨的“场所精神”，但是我们更强调一个情境的塑造，呼应或重塑人们的印象，达到某种观念的表达，引起共鸣和思考。
体验：空间印象
空间印象是解决问题的基本手段，它是建筑生成和使用的基础，同时应贴合真实的运营和使用。空间还应有其影像性与可传播性，但最终应该着重于现场的体验，让体验超越影像。
氛围：材料印象
材料做为要素组成了场所和空间，材料印象是材料自身及其构造方式营建出的氛围感受，它细腻的积累在一起，解构光影、强化空间，呼应场所，让建筑的逻辑更为完整，让建筑的体验更值得回味和想象。
Impression: Architecture becomes a connection
After decades of rapid construction, general
public is no longer satisfied with those
buildings only built for survival. People have
begun to put forward more diverse needs
in social, cultural, and psychological aspects.
Architecture therefore becomes a kind of
connection, which connects the human,
individual imagination, and the actual environment,
and then transforms it into a real
object that is readable, accessible, usable,
and disseminated. Mapping impressions,
breeding imagination.
Entering the impression: experience above basic rationality
Back to the architectural design itself, basic rationality is still the basis of our design actions. Traditional site, space, and material handling methods are the starting point for all construction activities. However, impression is more like a way of thinking based on the foundation. It allows us to focus on the real operation and user experience, and extracts the emotional parts that can resonate, allowing the building to change and iterate on another level.
Situation: place impression
Place impression is to deal with the thinking
of architecture and environment. It is reminiscent
of the "spirit of place" of Nobel Schultz,
but we emphasize the shaping of a situation,
echoing or reshaping people’s impressions,
and achieving a certain concept expression.
Then, make people resonate and think.
Experience: space impression
Space impression is the basic method to
solve the problem, and it is the foundation
for architecture designing and using, and it
should fit the real operation and use at the
same time. The space should also have its
image and communicability, but in the end,
it should focus on the on-site experience, so
that the experience transcends the image.
Atmosphere: Material impression
Material as an element constitutes the place
and space. The impression of the material is
the atmosphere and feeling created by the
material itself and its construction method.
It is accumulated in detail to deconstruct the
light and shadow, strengthen the space, and
echo the place, so that the logic of the building
is more completing, and the building
experience is more worthy of enjoying and
imaging.
